January 2015
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Movie Mondays: Unofficial Trilogies
~posted by Frank Most trilogies are in-depth stories told over the course of three films. But some films that we accept as being part of a trilogy were not originally conceived that way. The links between the films in these trilogies are the cinematic style and themes of four outstanding directors rather than a continuous story line. Continue reading
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Movie Mondays: Century Cinema
~posted by Mike 1915 was a banner year for cinema. Douglas Fairbanks and W.C. Fields made their film debuts. Future stars like Ingrid Bergman and Orson Welles were born. Cinema continued to capture the imagination of millions, with the medium making huge artistic and technical strides in what was still its infancy. In 1915, going… Continue reading
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Freegal: Five for Free
~ posted by Cameron M. Due to recent changes in the matrix, Seattle Public Library patrons are now allowed five free song downloads a week from Freegal, up from the previous allotment of three weekly downloads. Let’s take a look and see what’s available. Continue reading
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Movie Mondays: Swohs VT Sdrawkcab = Backwards TV Shows
~posted by Library Staff In last week’s post, we looked at movies that use reverse chronology—telling their stories in backwards order. This device has also been used to great effect in several TV shows. The most famous example is “The Betrayal,” an episode of Seinfeld in which a series of romantic misadventures unfold in reverse order.… Continue reading
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Seattle Rep’s ‘The Piano Lesson’
Posted by Linda J. Playwright August Wilson (who died in Seattle in 2005) won his second Pulitzer for drama with The Piano Lesson, one of 10 plays in The Pittsburgh Cycle. Each play in the cycle focuses on a different decade of the African American experience during the 20th century. The Piano Lesson, set in the… Continue reading
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Movie Mondays: Seivom Sdrawkcab = Backwards Movies
~posted by Library Staff I love movies that play with time: the “parallel-universe” narratives of Run Lola Run and Mr. Nobody, the event-shuffling of (500) Days of Summer, the dizzyingly-intercut centuries of Cloud Atlas and The Fountain, the decade-hopping of The Hours, the surreal repetitions of Groundhog Day and Edge of Tomorrow, or the real-time… Continue reading
